Stacy Bogdonoff’s studio is an Aladdin’s cave of found objects, jewels, fabric, and thread, each in its place, waiting to be bought into another life through one of her pieces.

This tree seems a fitting neighbor to his practice of working with wood and metal, forming both practical furniture pieces and wall hangings shaped through his lifelong passion for mathematics and by a drive to turn the abstract into tangible objects. 

I have had numerous conversations with May Castleberry regarding the importance of books and their tangible nature in an increasingly non-tangible world.

Her ceramic women are elegant, watchful presences, that seem to follow the viewer around the room as light and shadow shift across their forms.

Mita Bland not only captures that essence and the spirit of a place, but she is also able to create new spaces that have not yet been built, giving the viewer the sense that the space has always existed.

I caught up with multidisciplinary artist, sculptor, and teacher Danielle Mailer in her studio near Goshen, marked from the road by exuberant hanging sculptures, easy to spot as you drive by.

Sharon Bates is a multidisciplinary artist who balances her own studio practice with an active curatorial career.

Alexis England’s studio is a place of beautiful contradictions. While curious goats peer in from the cold Millerton winter outside, England manages two different creative worlds within the same four walls.

For more than 50 years, Migdal has been making sculptures and, since 2009, has increasingly focused on large-scale public works across the United States.

Figurative painter Susan Rand works within a visual language of quiet observation and pause. Her figures, often viewed from behind, invite the viewer to inhabit their vantage point and look outward through their eyes.